“Très jolie,” the gendarme said, after explaining by signs and gestures that thousands of fish would be caught of all sizes from minnows to sharks, and that the captured fish would boil up and upon the very sand of the beach. “They have no sympathy, they do not care!”!

It is told that long ago, one Maui, the son of Hina, lived on what is now known as West Maui. His mother, Hina, employed her time in the making of kapas. She must have made them at night, for her days were occupied in trying to dry the kapas. Each morning, and all morning, she toiled at spreading them out in the sun. But no sooner were they out, than she began taking them in, in order to have them all under shelter for the night. For know that the days were shorter then than now. Maui watched his mother’s futile toil and felt sorry for her. He decided to do something—oh, no, not to help her hang out and take in the kapas. He was too clever for that. His idea was to make the sun go slower. Perhaps he was the first Hawaiian astronomer. At any rate, he took a series of observations of the sun from various parts of the island. His conclusion was that the sun’s path was directly across Haleakala. Unlike Joshua, he stood in no need of divine assistance. He gathered a huge quantity of coconuts, from the fibre of which he braided a stout cord, and in one end of which he made a noose, even as the cow-boys of Haleakala do to this day. Next he climbed into the House of the Sun and laid in wait. When the sun came tearing along the path, bent on completing its journey in the shortest time possible, the valiant youth threw his lariat around one of the sun’s largest and strongest beams. He made the sun slow down some; also, he broke the beam short off. And he kept on roping and breaking off beams till the sun said it was willing to listen to reason. Maui set forth his terms of peace, which the sun accepted, agreeing to go more slowly thereafter. Wherefore Hina had ample time in which to dry her kapas, and the days are longer than they used to be, which last is quite in accord with the teachings of modern astronomy. We ran down the lagoon from Langa Langa, between mangrove swamps, through passages scarcely wider than the Minota, and past the reef villages of Kaloka and Auki. Like the founders of Venice, these salt-water men were originally refugees from the mainland. Too weak to hold their own in the bush, survivors of village massacres, they fled to the sand-banks of the lagoon. These sand-banks they built up into islands. They were compelled to seek their provender from the sea, and in time they became salt-water men. They learned the ways of the fish and the shellfish, and they invented hooks and lines, nets and fish-traps. They developed canoe-bodies. Unable to walk about, spending all their time in the canoes, they became thick-armed and broad-shouldered, with narrow waists and frail spindly legs. Controlling the sea-coast, they became wealthy, trade with the interior passing largely through their hands. But perpetual enmity exists between them and the bushmen. Practically their only truces are on market-days, which occur at stated intervals, usually twice a week. The bushwomen and the salt-water women do the bartering. Back in the bush, a hundred yards away, fully armed, lurk the bushmen, while to seaward, in the canoes, are the salt-water men. There are very rare instances of the market-day truces being broken. The bushmen like their fish too well, while the salt-water men have an organic craving for the vegetables they cannot grow on their crowded islets.

Gammon is to lie, to exaggerate, to joke. Mary is a woman. Any woman is a Mary. All women are Marys. Doubtlessly the first dim white adventurer whimsically called a native woman Mary, and of similar birth must have been many other words in bêche de mer. The white men were all seamen, and so capsize and sing out were introduced into the lingo. One would not tell a Melanesian cook to empty the dish-water, but he would tell him to capsize it. To sing out is to cry loudly, to call out, or merely to speak. Sing-sing is a song. The native Christian does not think of God calling for Adam in the Garden of Eden; in the native’s mind, God sings out for Adam. In the Bohemian Club of San Francisco there are some crack sailors. I know, because I heard them pass judgment on the Snark during the process of her building. They found only one vital thing the matter with her, and on this they were all agreed, namely, that she could not run. She was all right in every particular, they said, except that I’d never be able to run her before it in a stiff wind and sea. “Her lines,” they explained enigmatically, “it is the fault of her lines. She simply cannot be made to run, that is all.” Well, I wish I’d only had those crack sailors of the Bohemian Club on board the Snark the other night for them to see for themselves their one, vital, unanimous judgment absolutely reversed. Run? It is the one thing the Snark does to perfection. Run? She ran with a sea-anchor fast for’ard and a full mizzen flattened down aft. Run? At the present moment, as I write this, we are bowling along before it, at a six-knot clip, in the north-east trades. Quite a tidy bit of sea is running. There is nobody at the wheel, the wheel is not even lashed and is set over a half-spoke weather helm. To be precise, the wind is north-east; the Snark’s mizzen is furled, her mainsail is over to starboard, her head-sheets are hauled flat: and the Snark’s course is south-south-west. And yet there are men who have sailed the seas for forty years and who hold that no boat can run before it without being steered. They’ll call me a liar when they read this; it’s what they called Captain Slocum when he said the same of his Spray. “Never mind,” said Charmian, “think of what a staunch, strong boat she is.”